Tuesday, March 22, 2011

Look Around You Series Two Review







This isn’t from Look Around You. This is the show, Tomorrow’s World, upon which Look Around You, Series 2 is based off of. This time it aired in 2005. Peter Serafinowicz and Robert Popper were behind this series as well. I have talked about them in my last blog post, so read it.

The format of the series changed quite a bit. The series now took place in the 1980s, whereas in the first series, it took place late 70s early 80s-ish. The series no longer supposedly aired on as part of a cable in the classroom broadcast, but instead aired on the standard BBC. Instead of ten minute modules, we have half an hour episodes. We no longer have experiments, but instead, we have segments, such as “Inventor of the Week” and interviews. The narrator was forgone, and instead, we have four presenters. Jack Morgan, played by Robert Popper, reprising his character from the first series (the music episode), Peter Packard, played by Peter Serafinowicz, Pam Bachelor played by Oliva Colman, and Pealy Maghti played by Josie D’Arby.

But what hasn’t changed is the absurdism, the warped reality, the awkwardness, the humor, and the authenticity.

The authenticity is shown through the colors and camera filters, and the clothing and hairstyles. Pealy and Pam often wear stereotypical eighties outfits, that look hilarious, along with their big eighties hair.

To capitalize on the awkwardness level, we now have four presenters all interacting with not only one another and the audience back home, but other British comedic actors, such as Simon Pegg, Edger Wright, Sarah Alexander, and Nick Frost.

This time the series is focused on upcoming technology—well, what is seen as upcoming from the 1980s. According to the show, by the year 2010, people will live to be 400, reaching puberty when they’re eighty. And that’s just the tip of the iceberg.

As well, the show uses horrible technical errors. An example can be seen in this clip here:




The show still uses some of its elements from the previous series, such as a recurring motif in each episode, and the use of portmanteau. Like in the previous series, there are also unpronounceable words, probably the best example being the inventor of the hilariously stereotypical computer for women, whose last name is silent.

As well, this series has a subplot that reaches its climax in the series finale. Throughout each episode, there is an invention of the week, which showcases a bizarre invention that has to do with the theme of the episode, and the equally bizarre inventor (one of them was a horse). The first episode introduces us to Leonard Hatred, who invented Psilence, a spray you put on your ears to keep sound from getting in. Hatred is so beautifully portrayed by Mark Heap, who supposedly improvised the funny walk he does. Hatred, hmm… that last name should signify something.



All of the inventors appear in a “live” series finale, in which Prince Charles will choose the inventor of the year, and present them with a trophy. Prince Charles actually appears, and using amazing effects (I’m not joking) he joins them in their live studio in the ten minutes of the show. He’s beautifully edited in, and his dialogue is dubbed by Serafinowicz who does another dead-on impersonation.

While Jack and Pealy await the Prince outside the studio with a cheering crowd, Peter and Pam interview each of the inventors and give the audience a recap and demonstration of their invention. The cap of Hatred’s Psilence can falls off, his demonstration  is cut short, he starts having outbursts throughout the episode, culminating in him spraying a can of psilence in Prince Charles’s face, the program being delayed for a few minutes along with technical difficulties, the scary picture from the video above being shown, and a few minutes of “Birds of Britain,” and Jack ending up inside the winning invention: the sex change machine.

This series has a few more strengths than the earlier series with regards to actors. The hosts all show off their comedic abilities. They all maintain a level of awkwardness. Some hilarious moments for Robert Popper’s character include his character Jack Morgan’s newest song: Reggae Man.



A demonstration for a toilet sterilizer which ends with Jack splashing toilet water in his mouth. This deleted scene:




Note: In the original scene aired Jack loves his newly disfigured face. And finally, Jack emerging from the sex change machine in the series finale, once again giving proof that Robert Popper might be a castrati or a eunuch. The fact that Popper’s character was a chart topper for a while with “Little Mouse” and went back to presenting a second-rate science show is funny enough.

Peter Serafinowicz is funny, period. It’s hard to find a specific example. A good example would be the Leonard Hatred clip I showed above, where he interrupts Jack's monologue by screaming since he can't hear. He also does the announcements and voiceovers on the show.





He kind of plays the straight man in kind of the leader of the presenters. But the way he reads some of the ridiculous lines such as “a bee sting to the anus” in a straight tone is just hilarious. (Just so you know, Clive Pounds was brought back alive at the end of the episode).

Olivia Colman’s funniest moment had to be when she played Pam from the future, at age 90, in the food episode when it was Pam’s birthday. She wore old age make-up and had a robotic, laser eye. As well, in the health episode, the scene with her driving the car while sleeping at the end of the episode was funny as well.

Josie D’arby’s character represented the token black character that TV shows would try to include in the 70s and 80s onward—at least that what’s I think. Also, Josie’s interpretation of Pealy is hilarious, so she obviously is great on the show regardless. She has this perky, yet at the same time awkward energy that is hilarious, along with her enthusiasm and smiling towards the camera, making her look like the only presenter who might be happy to be there.

The guests are funny as well. An example would be Synthesizer Patel, a man who loves Synthesizers so much that he changed his name to Synthesizer. (another man changed his first name to “Computer” because he loved computers so much) Synthesizer Patel is plain funny. He then reappears in the series finale and guess what? All of his synthesizers but one are stolen!




All and all, it was a hilarious series.

Friday, March 11, 2011

Look Around You First Series Review

Robert's the one holding the test tube, Peter's the one with the clipboard

I previous listed this British Comedy Series as an anti-comedy. Keep in mind anti-comedy is comedy without being presented as comedy. Look Around You's First series (series in britspeak=season in americanese) is a sharp, absurd satire of old 1970s and early 1980s educational films that were shown in British schools for either educational purpose, or on rainy days during recess. However, even in America we have the same kind of educational filmstrips as well, so it is just as relatable.

The show was created and written by Peter Serafinowicz and Robert Popper. They also play the guys in lab coats conducting experiments throughout the season.

Serafinowicz is a wellknown comedic writer and actor. He is an amazing impersonator, and most of the comedy on his 2007 TV series, the Peter Serafinowicz show is based on it, as well as some great original characters. He can be seen in American television on Running Wilde and was in Couples Retreat. A little-known fact is that he voiced Darth Maul in Star Wars Episode One. He can be seen in a number of Simon Pegg films. He voiced Darth Chef on South Park as well. His Paul McCartney impersonation is infamous and spot-on, winning him the role of Paul in Disney's remake of Yellow Submarine (this is the only reason I'm going to see it, other than being a Beatles fan).

Popper is more known for his writing, editing, and music, but can act just as well as Serafinowicz. Popper is known for his alter-ego, Robin Cooper. As Cooper, he wrote the Timewaster Letters, sending a large number of associations and hobby groups asking for absurd, bizarre stuff. As Cooper, he also releases "Timewaster Phone Calls" on his youtube channel Vanillapod. He will call venues, TV shows, and radio shows, reporting ridiculous things (he reported PM Gordon Brown throwing a tangerine at a lamination machine to a radio call-in show, resulting in "Tangerinegate"). Popper made a series of prank phone calls with Tim Heidecker from Tim and Eric, and as well as working with Trey Parker and Matt Stone for their most recent season of South Park.

In order to have the series have some authenticity, Nigel Lambert, a seasoned narrator narrates the first series.

Here are two examples:






The first series (season) aired in 2002. Nine episodes were produced. Each episode was ten minutes long, in the spirit of the actual source material. Like I said, the source material were educational videos shown to the creators in schools. The specific source was the ITV Schools (the English version of Cable in the Classroom) Experiment Series

Here is a typical episode or module.


What makes the series funny?

Comedy is within the truth. The truth is comedy. We've all had to watch these educational videos back in school. The part the immediately made me crack up was the fact that the narrator repeatedly told you to write answers down in your copybook. You get to watch a movie, but wait, it's an educational movie, but it's still a movie--but then you have to take notes. That makes it just as tedious as a regular boring science class. Didn't you hate that? And didn't you hate that you couldn't find the answers to some of the questions within the film? Well, the stuff the audience are expected to write down while watching "Look Around You" is even worse than that.

As well, both Popper and Serafinowicz will commonly play with words, using portmanteaux, and often words that are physically impossible to pronounce, such as cDonald's theorem.

Also, in this world, what is logical is illogical. As we can see, illogical and impossible things happen during experiments, almost to hilarious extents, such as the giant scissors appearing in the sky. As well, some of the experiments are unethical, such as the lab assistant injesting sulphane, and then being shot.

The authenticity makes it funny as well. The random notes played on a synthesizer were composed by Serafinowicz, often improvised. The filter makes it 70s-ish and dated as well, and the clothes and hairstyles worn make it look dated too. This contributes the the anti-comedy genre as well. The authenticity makes it look realistic.

The look on the "scientists'" faces are hilarious as well,  as if they don't want to be there.

Finally, the repetitive motifs in each episode make it funny. In the sulfur episode, the scientist repetively violently disposes of the items in the experiment, to the point of him using a gun. In the iron episode, whenever iron is put on a table, the camera shakes and there is a loud noise.

This series is easy to watch, as each module is ten minutes long. However, it leaves the audience wanting more. As well, depending on the audience, some people might not get it and think it is an actual science series, and be kind of pissed. However, this is not unique to this specific series, as any series that attempts an alternative or anti-comedy format risks this.

I find this series hillarious, and many other people do--Matt Groening, Trey Parker and Matt Stone, Tim and Eric, and many more.

I suggest watching it.

In a few days, I will cover the second series, which is somewhat different than the first series.

So remember to look around you. I leave you with probably the best song in the world that originated from this series:

Tuesday, March 1, 2011

Miley Cyrus Hosting SNL? And Worst SNL Hosts



On Saturday, March 5, 2011, I am going to do something I have never done before. I am going to purposely miss an episode of Saturday Night Live. Why you ask. Because after a strong season, Lorne Michaels has decided to appeal to a younger crowd, many of which SNL is past their bedtime. Yes, Miley Cyrus is hosting Saturday Night Live. As I was watching the most recent episode, hosted beautifully by Russell Brand, Don Pardo announced that Miley Cyrus would be hosting on March 5. I then dramatically held my arms out and asked “WHY?” Yes, I’m biased, I don’t like most of the stars Disney has crapped out in the past ten years, but, as a guilty pleasure, I enjoy watching it. However, I extremely doubt Miley Cyrus has the chops to host SNL, and she will likely bring it down from its strong season.


If you don’t know who Miley Cyrus is, she is the meal ticket—I mean daughter of one-hit wonder Billy Ray Cyrus. Miley is infamous for starring in Disney’s messed up version of the 1980s animated series Jem, Hannah Montana. Miley is responsible for ushering in Disney’s non-progressive, purity, subliminally conservative and Christian values, and wearing a bad wig. She is also infamous for her off set controversy including dating a 25 year old man while she was still underage, being photographed naked by decorated and talented photographer Annie Leibovitz amidst controversy, and then shifting the blame to Ann herself, reported diva behavior, an infamous racist photograph, performing on a stripper pole at the Teen Choice Awards, and most recently, smoking salvia and immediately experiencing a placebo effect in which she started talking like a gerbil. Most recently, her father has regretted his decision of allowing Miley to go Hollywood, and regrets his permissive parenting style, claiming the whole Hannah Montana experience ruined his family.



Miley’s tenure at Disney is officially over. This means she is trying to be a grown-up and shed her Disney image. While this has worked beautifully for Shia LeBeouf, Hillary Duff, and most recently Zack Efron (who beautifully hosted SNL in 2009). However, Cyrus is choosing the blatantly easier route, attempting to act like a grown-up, and trying to get parts that, no offence, are a little bit out of her league.

Miley’s performance on Hannah Montana as a fictionalized version of herself is average, with some attempts to be funny. Some working, others not. But can she do this live, after a grueling work and rehearsal week, in a performance lasting an hour and a half?

Her appearance is not without controversy, and this will lead probably to a tension-filled and awkward night. As well, this will coincide with increasingly strong performance of new featured performer Vanessa Bayer, who is becoming known for her spot-on impersonation of Cyrus. This appearance is too soon, and it is usually better for it to go on for another season before Cyrus’s appearance.

The performance will likely go either one of these ways.

1. Miley is surprisingly good.

2. Miley is reported acting like a diva behind the scenes (a la Lindsay Lohan)

3. Miley attempts to preach to the audience about her own beliefs, causing an extremely wholesome show.

4. The show will rely on the talents of the castmembers, instead of Miley.

5. There will be a large number of musical sketches in which Miley will sing.

6. Miley will ruin SNL’s momentum.

Now, I might be surprised, but I am not taking any chances. SNL is a big kids’ show, not for the Disney crowd. I can’t watch an attempt at trying to appeal for a younger audience, and as well a performance for a star famous for being on a second-rated kids’ show, and who is poorly attempting to shed her Disney image.

I started watching SNL in 2003, and in the spirit of bracing myself for Cyrus’s hosting SNL, I am reminded of the other horrible hosts I have endured. Who knows? Miley may surprise me—but I’m not taking any chances.

Worst snl hosts from 2003 onwards.

2003 was when I started watching SNL.



Donald Trump-okay, we get it, the apprentice is popular, but you have no stage presence and play yourself in almost every sketch. SNL was riding on Apprentice fever. As well, Trump mainly played himself, which is usually a sign of a less than versatile host.


Paris Hilton-Her appearance in the 2003 season was great. She appeared in the Al Sharpton episode during Update, after the sex tape scandal when Jimmy Fallon asked her if he could get into the “Paris Hilton”. That was funny, but hosting a whole show, for someone who has had little stage experience, nor talent, that’s a pretty hard task. Some have pulled it off, but Paris hasn’t. The sketches were mainly derived off of Paris’s looks and status, and Hilton’s wooden performance didn’t help those weak sketches at all.



Lindsay Lohan-This wasn’t her performance during the 2003-2004 season. That was hilarious. This is her burn-out performance during the 2004-2005 season, and the 2005-2006 season. By the last time she hosted, she had a smoker’s voice, and really wasn’t there. What’s funny, is that she didn’t get the irony about her during her last two hosting gigs. During her last hosting gig, there was behind the scenes drama as Lohan was repeatedly late for rehearsals. This evidently rubbed off into the performance of the actual show.



LeBron James-this became a trend in bad season premiere guests. He hosted the 2007 season premire, and his performance was wooden.


Michael Phelps-Bad season premire host, round 2. You should start your season up with a bang, not a host who couldn’t read his lines with emotion. Once again, wooden performance.



The Jonas Brothers-Okay, they weren’t hosting the 2009 Valentine’s day episode with Alec Baldwin, but they were the musical guests. And they took this as a chance to get on their soapbox, and talk about their whole wholesome lifestyle. SNL is a big kids’ show, Jo-Bros, and the only people who are allowed to be preachy are when politicians come on during elections, which is a great PR stunt. Last time I checked, you were a wannabe rock band. Also no one upstages one of SNLs go-to hosts unless you are an extremely successful musician, like Paul McCartney in the early 90s, or a special guest. And if they were going to do a sketch, it would have been better to do it later into the show, as the first post-monologue sketch usually cements the host’s performance for the evening, and introduces them into the sketches.


Megan Fox: One of my friends, who is a huge Megan Fox fan is going to kill me for this. In the 2009 season opener, Megan Fox surprised many, despite her sultry looks and sex appeal, she couldn’t generate any comedic appeal, although most of the sketches she was in capitalized on her sexiness.



January Jones- You’re on an Emmy Award winning TV show, yet your performance reminded me of those speakable items on old macs, where you would type stuff in and it would say it. Once again, the sketches revolved around January’s looks, and really had no substance. But, like Fox, she didn’t truly get in the spirit and satire of those sketches.

The people are mostly on this list for a wooden performance, and relying too much on the cast, and not being in the true SNL spirit.

So brace yourself for a hit or miss episode of SNL this Saturday. Me? Well, it is Unofficial.